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Mastered at Glowcast: Slam + Gary Beck – Alliances 1 (Verto / South) [Paragraph]

Mastered at Glowcast: Sven Vath plays Slam – Chasing Shadows [Paragraph]

Mastered at Glowcast: Slam & Gary Beck – Verto (as played by Alan Fitzpatrick)

Mastered at Glowcast: Carl Craig and KiNK remixes of Slam – Azure (Coming in May)

Sven Vath playing Mark Reeve – Dice (Mastered at Glowcast)

Mastered at Glowcast: Harvey McKay – Want You [Soma]

Mastered at Glowcast: Oxia, Harvey McKay and Cosmin TRG remixes of Slam

2011: Thank you! From Conor Dalton (Glowcast)

Mastered at Glowcast: Radio Slave and Sebo K remixes of “Slam – Eterna”

Mastered at Glowcast: Joe Stawarz EP + Mihalis Safras remix

Mastered at Glowcast: Slam – Chasing Shadows

Mastered at Glowcast: Cassy, Ian Pooley, Dan Curtin, Chris Carrier
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Conor Dalton

conordalton_mastering

Mastering and mixing music
+ Teaching workshops (Berklee/Abbey Road Inst)
Email: conor@glowcast.co.uk
Separating the dynamic processing into mid / side Separating the dynamic processing into mid / side mode is an option but not something I reach for regularly. The risk is to separate the groove of the sound stage into different territory than was originally intended. I feel using a mid side eq in dynamic mode is usually the better option as you can be more surgical and frequency dependent, this way you can control the problem frequency in the sides, or boost the musical content in the sides that was lacking but emotionally satisfying. This way I think you get better results than expecting that the compressor can predict what you like about the sides or the mid. The only way this would be useful to me usually is in multiband mode if there is a very wide instrument that plays only for a certain section of the song that needs to be controlled. For more mixing and mastering advice I wrote a 7000 word pdf document and if you type “mix” I will send you a dm with the link to download it #mastering #mixing #musicstudio #soundengineer #audioengineer #musician
Using a clipper can be a fantastic way to get unru Using a clipper can be a fantastic way to get unruly transients under control but be careful: clipping off a stray transient will not be noticeable and will be very effective, but clipping every transient could quite quickly start to sound unpleasant, and take away some of the snap of the material. With this kind of processing, recognizing when you have gone too far is very important. You don’t want to hear the damage, but you want to benefit from the extra headroom created by getting the “troublemakers” under control. This way the final limiter can relax a bit more and so the loudness potential increases More mixing advice can be found in the 7000 word pdf document that I wrote, type “mix” in the comments and I will send it to your dms #mastering #mixing #audioengineer #soundengineer #musicstudio #musician #masteringengineer #masteringstudio
What’s the best way to develop your critical lis What’s the best way to develop your critical listening skills? -reference other music at the same volume as what you’re working on (important) -volume compensate “before and after” processing: otherwise the deceptive volume change will mislead you -use training apps like soundgym -test your work on different speakers and headphones as a reference but always comparing the results to your main system For more mixing advice type “mix” and I will dm you the 7000 word pdf document I made with my mixing tips and tricks #mastering #mixing #audioengineer #soundengineer #musicstudio #musician
2025 prices: Mastering: 75€ Stem mastering: 150 2025 prices: Mastering: 75€ Stem mastering: 150€ Mixing: Get in touch for quote Cutting: Get in touch for quote Attended session (digital): 600€ 4hours Attended session in person: Get in touch for quote One on one coaching: 150€ / hour Workshops in person: Get in touch for quote Links in bio to Spotify playlist, muso.ai, discogs etc Booking: conor@glowcast.co.uk 2025 ranked #392 (worldwide) 2025 half a billion streams 2025 top 1% total streams Statistics from muso.ai
Mixing kick and bass can make or break your track, Mixing kick and bass can make or break your track, this is the foundation on which the rest of the song can be built. Sound selection is 70% of the battle Choosing if the kick and bass have a “call and response” relationship or a “collaboration” relationship is a good mindset to get into: are they combining into one powerful low end team or are they designed to play different roles from each other Make sure you don’t forget about phase: you can flip or rotate phase to tighten things up And of course the regular tools are also available: eq, compression, side chain, saturation, limiting, etc, but the better your sound selection, timing and phase relationship, the less you will need these ————————— Type MIX in the comments and I will dm you my free 7000 word mixing advice document (with all my favourite plugins etc) ————————- #mixing #mixingengineer #mastering #masteringengineer #soundengineer #audioengineer
Shout out to people who don’t shame others for t Shout out to people who don’t shame others for their pursuit of knowledge Shout out to people who put a desire to learn above their fear of looking stupid Shout out to “forever students”, Shout out to life long learners Shout out to those who don’t gatekeep knowledge Shout out to those who find joy in others rising up around them instead of feeling threatened by them Shoutout to those who try to improve themselves every day Knowledge is wealth Pride❌ Growth ✅ Fear❌ Inquisitive✅ Guarded❌ Sharing✅ _______________ If you would like 7000 words of free advice from me about mixing music and preparing your song for mastering, comment “mix” below and I will send you the link to the document in your dm _______________ As a mastering engineer of 16 years I made this document to help people improve their music before it reaches me for mastering, it contains common mixing mistakes to avoid, my favourite plugins, my advice for sound engineers to get their music to the finish line It’s totally free (or donation if you wish) #mixingengineer #mixing #mastering #masteringengineer
This was one most important lessons I ever learned This was one most important lessons I ever learned as a mastering engineer I’ve told this story many times and even now many years later it can often make me emotional when I think about it. Music has value Creative art has value If you don’t connect with a song, that’s fine. But that doesn’t mean that the song doesn’t have any value to someone else. There is no ‘good’ or ‘bad’ music. There is just personal preference: music you connect with and music that you don’t. If you are someone who tries to put other people down for their musical taste, or tries to declare some music to be “bad”, be careful, all you are doing is declaring to the world that you have no empathy for someone else’s passions and that you are ignorant to the value that someone else creates for their audience. The world needs more music, more art, more expression, more connection, more creativity, more ideas, The world has enough destruction, and anyone who creates something is making the world a better place, whether you connect with it or not is irrelevant: maybe you just weren’t the intended audience (and that’s fine, for someone else that might be the best song in the world). Music is time decorated with human soul. Music is a protest against death. Music is invisible magic. Working in music is a privilege, and as a mastering engineer you have to step lightly when you are working with people’s dreams especially because if you don’t remind yourself of this often then you can easily forget just how much impact a single song can have on the audience, whether that’s one person or one million people: it doesn’t matter. It has value. ——————————- I made a free document with 7000 words of advice for sound engineers, type MIX in the comments and I will dm it to you #mastering #masteringengineer #mixing #mixingengineer #soundengineer #audio #music #philosophy #art
Side chain sometimes really saves the day If you Side chain sometimes really saves the day If you need to make sure the kick dominates each time it strikes, then side chain can help, but make sure to use it sensibly with these three tips Otherwise it’s possible that you end up with a weak and frustrated low end of the bassline is constantly trying to avoid the kick You don’t want the bassline to suffer, so reduce the suffering by only cutting certain frequencies that the kick contains, and maybe even focusing it on the subs only, then fast attack and release makes sure the bassline comes back quickly once the kick is finished, and then finally make sure you listen for a noticeable improvement on the sound of the kick as a result of the side chain- if there isn’t a noticeable improvement then you don’t need it at all! I wrote a 7000 word mixing advice document, you can download it for free, the link is in my bio #mastering #mixing #soundengineering #audioengineering #soundengineer #audioengineer #musictips #musicproducer #musician #musicproduction #tips
🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿 subsineacademy 🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿 Workshops coming up! 27th and 29th September I will be talking about mixing and mastering ideas, techniques and philosophies and showing some examples plus Q+A Ask subsineacademy for details or visit their website for tickets #mastering #audio #mixing #soundengineer #audioengineer #musicschool #musicstudio
Sidechaining the bass is a classic electronic musi Sidechaining the bass is a classic electronic music technique that has been tried and tested over many decades Think about why it’s used: to get the bass out of the way of the kick for a split second so that there is no conflict between kick and bass But think about this: if the kick and bass are in cooperation instead of conflict, then there might not be as much reason to use a side chain at all If the kick and bass are pushing and pulling the speakers forwards and backwards together, in tune, in phase, on time…. That’s power. There would be no need to duck the bass of its contributing to the power of the kick Try those three techniques before reaching for the side chain For more mixing tips, download my free 7000 word mixing guide (link is the top link in my bio) #mixing #mastering #audiotips #productiontips #musictips #mixingtips #mixingengineer #masteringengineer #audioengineer #musicians #music #audio #soundengineer #musicstudio #drums #bass
#Music #Dogs #Nature #Learning #summer #Music #Dogs #Nature #Learning #summer
Minimum phase or linear phase EQ? Neither are bet Minimum phase or linear phase EQ? Neither are better or worse in terms of quality They just have different strengths and weaknesses Usually a combination of both is the solution in mastering Download the free 7000 word audio mixing guide in the top link in my bio #mastering #mixing #audioengineer #mixingengineer #masteringengineer #soundengineer #eq #music #tips Workshop abbeyroadinstitute
Signal flow! - Fix major obvious frequency proble Signal flow! - Fix major obvious frequency problems - Hit the analog gear for overall vibe (optional) - Then enter into the digital domain and tighten everything up I usually load a template of plugins that are suitable for the genre. All of them in bypass with custom settings. I delete the ones I don’t need and work my way through the chain until I have a satisfying sound. This can often involve auditioning different compressors and limiters and picking the combination that works best for the song I always load a template as a starting point and have 100s of starting templates for various genres and sounds. Then I tweak until I get things locked exactly how I want them #mixingengineer #masteringengineer #mixing #mastering #audio #music #audioengineer #soundengineer #musicstudio Download my free 7000 word mixing guide for more tips (link in my bio) Workshop abbeyroadinstitute
Upwards expansion is a great tool to increase dyna Upwards expansion is a great tool to increase dynamic range, but remember: it could be simpler to just undo some of the compression rather than add more processing to undo what was already done A combination of compression and expansion can be useful in certain situations such as using an expander on the high end to add in some explosive click on the transients, while compressing the rest of the song to thicken up the crest factor We have downwards compression (turns down loud events), upwards compression (turns up quiet events), downwards expansion (turns down quiet events such as a de-noiser) and upwards expansion (turns up loud events such as a transient shaper) It is also possible to use upwards expansion after clipping and limiting to add a bit of life back into something that lacks expressiveness due to strong transient control #mixing #mixingengineer #mastering #masteringengineer #audioengineer #soundengineer #music #tips #techniques Workshop abbeyroadinstitute
1) Stabilize the high mid range 2) Emphasize the h 1) Stabilize the high mid range 2) Emphasize the high mid range This is a classic psychoacoustic trick to make your song feel massive, present and exciting If this 1-6k range is where the ear is most sensitive, then getting this range right is the key to a loud and powerful mix, exploiting the natural sensitivity of the ear here You could do this with dynamic eq, multiband, resonance control with eq, maybe a de-esser, and then afterwards using eq to compensate for what you reduced Try it out and see if it works for you If you want more mixing and mastering tips then type MIX in the comments and I will send you my free 7000+ word mixing guide in your dms —————— #mixing #mastering #audioengineer #soundengineer #musicstudio #masteringstudio #tips #audioengineering Recorded at mihollywood
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conordalton_gc conor dalton @conordalton_gc ·
3 Feb

Clippers before limiters!
#mixing #mastering

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conordalton_gc conor dalton @conordalton_gc ·
18 Jan 2023

I wrote 7000+ words of audio mixing advice, featuring knowledge from my 15 years as a mastering engineer (Credits: Daft Punk, Jeff Mills)

Available to read for free here (updated: January 2023)

https://glowcast.bit.ai/docs/view/8JCC7m6kqVyYbfgx

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natemixing Nathaniel W. @natemixing ·
9 Sep

Sometimes, the best thing you can do for your music is to step away.

Fresh ears are different. Pause, refresh, return.

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conordalton_gc conor dalton @conordalton_gc ·
18 Jan 2023

I wrote 7000+ words of audio mixing advice, featuring knowledge from my 15 years as a mastering engineer (Credits: Daft Punk, Jeff Mills)

Available to read for free here (updated: January 2023)

https://glowcast.bit.ai/docs/view/8JCC7m6kqVyYbfgx

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conordalton_gc conor dalton @conordalton_gc ·
28 Jun

Understanding customers intentions in audio mastering

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conordalton_gc conor dalton @conordalton_gc ·
27 Jun

Clippers before limiters

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conordalton_gc conor dalton @conordalton_gc ·
18 Jun

Mastering music, setting intentions @berkleevalencia

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conordalton_gc conor dalton @conordalton_gc ·
9 May

New track from Swoose on Saoirse’s label, credits: mastering

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conordalton_gc conor dalton @conordalton_gc ·
9 May

New from @mkobosil, mastering by me

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songcamp_ Songcamp @songcamp_ ·
8 May

Tomorrow, we're excited to introduce you to 3 new things...

1 → A new song 'Amber / Elouise'
2 → A new Songcamp Alumni collection
3 → A custom mint frontend for music on Zora

We are building a music-first Zora client, and it begins here.

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